Planning to edit versus editing proper

I lost some steam the last week or two, and I didn’t even touch my computer for editing. But this week (OK, so like three days), I’ve pushed myself to get back to it. This story isn’t going to edit itself.

My story, when I left it, was filled with notes on what to do in certain spots and things to fix, and how to fix them, and just all sorts of would-be scribbles, if I were doing this by hand on paper. What I’ve noticed as I’ve started reading through the story yet again, is how many of those notes took as much effort to write as it would have required to just make the change and move on. I have to confess, I’ve allowed myself to get caught up in planning the edits and, consequently, allowed myself to neglect the actual editing process.

But the actual process can be hard. When you write something, or at least when I do, I get attached to it. And when it’s something that I’m revising, or an idea I’m moving somewhere else, I’m not convinced I won’t need that first attempt anymore. It’s hard to erase, to delete words that you spent time on. There’s the sneaking suspicion that once you delete them, you’re suddenly going to need them again, but you won’t be able to remember them. So then the challenge becomes allowing myself the freedom to recreate things. If I erase something that is bad, then can’t remember the idea I was going to use, did the idea belong there in the first place?

This whole process right now is for me to learn how to edit my own work. I have no deadlines, no demands for when it needs to be done. I have the luxury of taking all the time in the world to work my way through. And if I have to stop a time or two to think hard about where my story should go, that’s OK. Better now than when I’ve published or self-published it and there’s no going back, right?

So I’ve got some big pieces to edit, the ones I mentioned in my last post, the new plot ideas to weave in. The goal I’m setting for myself is to hurry up and wrap up the little things, and choose one big piece to work on. Because then I’ll have something good to write about next week, instead of something boring like how I changed a passive sentence into an active one. It’s important, but most of you don’t really care.

So as I’m wrapping up this week, I’m prepping my editing for next week. As I go through, I’m making notes of places where I need to work in something about the student’s civil disobediences, or key places to start implanting the people who claim to be his family, and the questions surrounding his mental health. That way, when I get to strapping in for the big editing, I’ve made it a little easier for myself. Maybe then I’ll make a dent in the proper editing.

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